Tag: Lawrence King

One of the best furnished churches in London

St Augustine of Canterbury, Langdon Park Road, London N6 5QG

“One of the best furnished churches in London”, said the Poet Laureate Sir John Betjeman (1906–84) about the north-London Anglican church of St. Augustine of Canterbury. The church is a Grade-II-listed building that faces the Archway Road, just north of the distinctive bridge spanning that road – created in 1813 by John Nash (1752-1835) – and from which the name of the road and the surrounding district is derived.

Junction of Highgate Hill and Archway Road (John Hill, 1770-1850)
Location of St Augustine-of-Canterbury church, Highgate,London N6 5QG
Bridge (1813) over the Archway Road, designed by John Nash. as seen before its replacement in 1897.
Bridge (1897-1900) over the Archway Road, by Sir Alexander Binnie.
St Augustine of Canterbury church, Archway Road, seen from the Archway bridge, looking north, 2006.

The church as we see it today was created in several stages during the late 19th and early 20th centuries by three architects: John Dando Sedding (1838–91), Henry Wilson (1864–1934), J. Harold Gibbons (1878-1958). It is a distinctive mix of late Victorian Gothic and early twentieth-century Arts and Craft styles.

The church of St Augustine of Canterbry, Highgate, Lolndon. Unbuilt design proposal by James Brooks. (The Building News, 13 February 1888)
West-front Calvary, the church of St Augustine of Canterbury, Highgate, London (UK)
The church of St Augustine of Canterbury, the ground plan, as envisaged (c1887) by the architect J. D Sedding. (Source: Paul Bell, 2012).
The church of St Augustine of Canterbury, the selected design by J. D. Sedding. (Source: Sanders, 1975).
Church of St Augustine of Canterbury, Highgate, London. The west front as seen in 2016.
The church of St Augustine of Canterbury, the interior c.1975. (Source: Sanders, 1975).
John Dando Sedding (1838-91), 1882, by H. S. Mendelssohn (1847-1908).
The church of St Augustine of Canterbury, the ground plan, as envisaged (1914) by the architect J. Henry Gibbons. (Source: Paul Bell, 2012).
The church of St Augustine of Canterbury, the completed west front c.1975. (Source: Sanders, 1975).
The church of St Augustine of Canterbury, the selected design by J. D. Sedding. (Source: Sanders, 1975).

The foundation stone of the new church was laid in 1887 and the part-finished buidling was consecrated in 1888, the next stage of work being undertaken by Henry Wilson, one of Sedding’s pupils. However, the west front was not completed until Easter 1914, the work of J. Harold Gibbons. The west front is adorned with a life-size stone Calvary, which led to a noisy Protestant demonstration seeking to stop the dedication of the church later that same year; 20 June 1914.

The church of St Augustine of Canterbury, a view of the nave detroyed by fire. (Source: Paul Bell, 2012).
The church of St Augustine of Canterbury, a view of the nave detroyed by fire. (Source: Paul Bell, 2012).

A disastrous fire on the night of 11 January 1924 entirely destroyed the nave and required a major programme of rebuilding, which was undettaken by J. Harold Gibbons. It was at this time he added the 2-bay  organ gallery on the south side of the chancel, and a new Sacristy.

The current pipe organ dates from 1925-6, and was built by the London firm of A. Hunter and Sons of Clapham (London UK). The atractive case – designed by J. H. Gibbons – dominates the south side of the chancel. Although the instrument has remained incomplete for lack of funds it serves well, and sounds impressive in the generous acoustic.

Musicians gallery with organ case by J. H. Gibbons in the church of St Augustine of Canterbury, Highgate, London N6. (Source: London Churches in Photographs)
Organ case by J. H. Gibbons in the church of St Augustine of Canterbury, Highgate, London N6. (Source: London Churches in Photographs)
Programme for an organ-recital by George Thalben-Ball, St Augustine’s church Highgate, London on 25 October 1975. [page1/3]
Programme for an organ-recital by George Thalben-Ball, St Augustine’s church Highgate, London on 25 October 1975. [page3/3]
Console of the organ by A. Hunter and Sons (1924) in the church of St Augustine of Canterbury, Highgate, London N6. (Source: National Pipe Organ Register)
Programme for an organ-recital by George Thalben-Ball, St Augustine’s church Highgate, London on 25 October 1975. [page2/3]

The church contains some fine fittings, artworks and stained glass by – among others – Henry Farmer (fl. early c20), Lawrence King (1907-81), J. Linthout & Co. (Bruges), Margaret A. Rope (1882–1953), Adrian Gilbert Scott (1882–1963), Christopher Whall (1849–1924),  Nathaniel Westlake (1833–1921).

Stained glass by Margaret A. Rope in the church of St Augustine of Canterbury, Highgate, London (UK). (Source: Paul Bell, 2012)
High altar in the church of St Augustine of Canterbury, Highgate, London (UK), by Adrian Gilbert Scott, and J. Linthout.
Stained glass by Margaret Rope in the church Of St Stained glass by Margaret A. Rope in the church of St Augustine of Canterbury, Highgate, London (UK). (Source: Paul Bell, 2012)Augustine of Canterbury, Highgate, London (UK). (Source: Paul Bell, 2012)
Stained glass by Margaret A. Rope in the church of St Augustine of Canterbury, Highgate, London (UK). (Source: Paul Bell, 2012)
Lady Chapel in the church of St Augustine of Canterbury, Highgate, London (UK); metalwork grill designed by Henry Wilson depicting a tree of life and seven stars.

In 1930 Gibbons completed the Lady Chapel, with a decorative scheme by Nathaniel Westlake, Henry Wilson, and Christopher Whall.

The Lady Chapel, 2002, in the church of St Augustine of Canterbury, Highgate, London (UK). (Source: John Salmon, Wikimedia)
The Lady Chapel, 2002, in the church of St Augustine of Canterbury, Highgate, London (UK). (Source: London Churches in Photographs)
The Lady Chapel, in the church of St Augustine of Canterbury, Highgate, London (UK). (Source: Paul Bell. 2012)

On 13 October 1957 St. Augustine’s was the venue for the first liturgical performance of the “Twentieth-century Folk Mass” by Rev. Geoffrey Beaumont CR (1904–71), a product of the once influential Twentieth-century Church Light Music Group. According to Beaumont, the composition was the result of a chance conversation with a priest-colleague in London’s then impoverished East End who was deeply concerned that church music was utterly foreign to the majority of people.

From the first litrgical performance of Geoffrey Beaumont's "A Twentieth-century Folk Mass" Celebrant: Rev. Gerald Fitzgerald. (Source: Church Times Archive).
From the first litrgical performance of Geoffrey Beaumont’s “A Twentieth-century Folk Mass” Celebrant: Rev. Gerald Fitzgerald. (Source: Church Times Archive).

That first liturgical performance of Beaumont’s mass-setting was broadcast live by the BBC and caused quite a stir at the time. The Daily Express declared that “this disturbing racket . . . was one of the most incongruous things ever seen on TV”, while the Musical Times  dismissed it as music suited to the fetid atmosphere of a night club or cabaret.

This recording (below) was made by the original performers in the run up to the performance at St. Augustine’s: Cantor, John Alldis;  Musicians/singers, The Peter Knight Orchestra and Singers; Conductor, Peter Knight;  Organist, William Davis.

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