St Michael and All Angels, London E17 6PQ
Walthamstow is an ancient settlement on the west bank of the River Lea, for which records date back to the time of King Edward the Confessor (1003-66). It is now absorbed within the north-east London suburbs.
With the coming of the railway in the middle of the nineteenth century the area saw rapid housing development by a variety of independant property speculators building homes for the respectable working and lower-middle classes, and much of the buidling stock dates from this time. Even so, the area around the medieval parish church maintains an air of earlier times, and self-consciously promotes itself as ‘Walthamstow Village’.
Walthamstow’s nineteenth-century population boom brought a need for new churches and by 1903 there were twelve Anglican churches and seven Anglican missions in Walthamstow; in 2017 there are nine Anglican parishes. Among these the church of St Michael and All Angels (1885) is the largest, establshed with the generous support of the financier and philanthropist Richard Foster (1822-1910). It was built in an Early English Gothic style using dark brown brick to a design by the little-known Joseph Maltby Bignell (1827-87) who spent much of his architectural career working as an assistant to Sir George Gilbert Scott (1811-78). St Michael and All Angel’s is – for now – his only known completed building.
Currently the church has two pipe-organs. One, of indeterminate origin, is in a gallery on the south side of the chancel. It has two manuals and pedal and replaced an earlier one-manual and pedal organ that was situated here. The current instrument was decommissioned some decades ago when its console was removed and replaced by a now rather tired and unattractive sounding electronic instrument by the Allen Organ Company; our expectations of digital technology have moved on!
The other pipe-organ is a rather nice Victorian, one-manual and pedal instrument in a handsome ‘Gothick’ case placed in the south east corner of the nave. It was built by the firm of G. M. Holdich originally for a church in the Essex countryside, where in 1965 it underwent restoration by the firm of N, P Mander. The instrument seems to have come to Walthamstow in about 2003. It has a bold, bright sound and while it is no masterpiece it is well-suited to congregational accompaniment and is almost contemporary with the building.
We can date this instrument from G. M. Holdich’s business address given on the builder’s plate: ‘Euston Road, Kings Cross, London’ from where the firm traded between 1858 and 1866. This fact contradicts a date of 1844 that is given on a recent donor’s plate on the side of the organ.
- ‘Joseph Maltby Bignell‘, Wikipedia. Online resource accessed 4 Nove,ber 2017
- ‘Richard Foster (philanthropist)‘, Wikipedia. Online resource accessed 4 November 2017
- ‘St Michael and All Angels, Northcote Road‘, National Pipe Organ Register. Online resource accessed 4 November 2017
- ‘St Michel and All Angels, Walthamstow‘. The Church of England: A Christian presence in every community. Online resource accessed 4 November 2017
- ‘Walthamstow‘ in The Environs of London: Volume 4, Counties of Herts, Essex and Kent by Daniel Lyons (London, 1796), pp. 204-30. Online resource accessed 4 November 2017
- ‘Walthamstow: Churches‘ in A History of the County of Essex: Volume 6, edited by W R Powell (London: Victoria County History, 1973), pp. 285-94. Online resource accessed 4 November 2017
- ‘Walthamstow: Introduction and domestic buildings‘ in A History of the County of Essex: Volume 6 pp. 240-50. Online resource accessed 4 November 2017
St Bartholomew the Less, West Smithfield, London EC1
The Smithfield area just beyond the north-west corner of the City of London owes much of its current street plan to the history of its medieval Augustinian priory and hospital, while the historic character of its architecture – some dating back to the Middle Ages– is due in no small part to the fact that the area narrowly escaped the Great Fire of London in 1666, and was relatively little damaged by aerial bombing during the Second World War.
The priory church (1123) survives today as the Anglican parish church of St Bartholomew the Great. It is an impressive edifice by any standards although only two-thirds of its former length now survives and most of its priory building have long gone, thanks to the destruction of church property wrought throughout England during the religious battles of the sixteenth and seventeenth centuries.
St Bartholomew’s Hospital (1123) – known to most Londoners simply as Barts – was founded as an integral part of the Priory and survives on its original site, although most of its historic buldings date back only as far as the early eighteenth century.
Over many centuries Smithfield been a site of many notable gatherings, for example:
- From 1123 Smithfield was the site of the annual Bartholomew Fair originally designed by the Priory to mark St Bartholomew’s Day, 24 August. The fair survived the Reformation and the Civil War and by the early 1700s lasted at least two weeks and attracted vast crowds of fun-seeking Londoners. The fair was a regular source of anxiety for various civic-minded groups concerned with public order and public morality but it was not until 1855 that the fair ceased.
- In 1374 Edward III (1312–77) held a seven-day tournament at Smithfield, for the amusement of his mistress Alice Perrers (1348–1400).
- On 15 June 1381 Richard III met here the the leaders of the so-called Peasants Revolt. The meeting turned violent and several of the revolutionaries were killed by the London militia, including the peasants’ spokesman, Wat Tyler
- In 1390 Richard II (1367–1400) hosted a two-day tournament organised by Geoffrey Chaucer, who was then the clerk to the king. The tournament – reported across Europe – was described by Jean Froissart (c.1337–c 1405) in his Chronicles (of the Hundred Years War).
- Until the late seventeenth century Smithfield was a place of public execution. In 1305 the Scottish rebel William Wallace was executed here. During the sixteenth century it was often religious dissidents who met their deaths on Smithfield, while in the seventeenth century it became a place of execution for swindlers and coin forgers.
- From as early as 1132 livestock and horses were traded here every Friday, a practice that developed in into the Smithfield meat market that operates today in a splendid Victorian market-hall that covers much of the former Smithfield.
St Bartholomew the Less
Less well known in the story of Smithfield is the ancient church of St Bartholomew the Less (1184), located within the hospital precinct. It replaced the Chapel of the Holy Cross (1123).
Although the ground-plan of the present church is Norman, the west-end and tower are largely 13th-century structures; two of the tower’s three bells date from 1380 and 1420. and are still hung in a medieval–period ‘bell frame’. The architect and theatre-designer Inigo Jones (1573–1652) was baptised here. His father was a Welsh clothworker living in nearby Cloth Fair.
In 1789 the nave and chancel of the church was ‘repaired’ (rebuilt) by the hospital’s surveyor and architect George Dance the younger (1741–1825). Dance chose the modern ‘gothick’ style to create a brand-new, light and airy octagon–shaped nave within the church’s medieval walls. At the same time he removed many of the old tombs and memorials.
The pipe organ
There have been several organs in the church supplied by various organ-builders as follows:
- Richard Bridge, c.1729
- John Byfield jun. with John Byfield III, 1794.
This organ was an ‘annuity organ’, which meant it was installed gratis by the organ builder but in return he provided the organist – in this case his son – and took the organist’s fee. (Organists of the City of London. Dawe: 1983. 33). As I noted in my blog of 24 September 2016, a similar annuity-organ contract was made in 1790 between William Warrell and the parish of St Mary-le-Strand.
- John Gray, 1825
- Gray and Davison, 1863
- William Hill and Son & Norman and Beard Ltd, 1930
- N. P. Mander, 1978
Alas, no images of the earliest organs seem to have survived. The current organ’s pipework is located in somewhat cramped conditions, deep-set under a narrow arch at the west end of the church. The organ’s console is in the south-east corner. The instrument has no pretensions, being simple in looks and plain in tone; even at full-organ it does not overwhelm. However, since it speaks directly along the main axis of the church it is adequate to accompany congregational singing.